Fu Dog Media is a marketing agency. I'm their contracted production designer — the person their team routes client work to when it needs to get made and shipped under the FDM banner.
It's an ongoing, multi-client relationship. FDM brings me the brief and the client; I deliver the creative on their timeline, in their clients' brands, white-labeled to them.
FDM runs strategy and accounts. I plug in as an extension of their team — taking client briefs, delivering finished creative, and handing it back white-labeled so their account managers can ship to the client directly.
That means when FDM signs a new client who needs ongoing production — ads, social, brand refreshes — they can say yes without hiring another full-time designer. I'm the elastic capacity behind the roster.
The pattern, not the ceiling. Work is routed case-by-case as FDM's client work calls for it.
One of the accounts FDM routes to me. Japanese Import Pros needed a steady stream of Meta ad creative that would convert local search traffic into booked shop appointments — without looking like every other auto-repair ad in the feed.
Real-photo creative, sized for every placement Meta offers, versioned for different seasonal hooks and service types. Delivered monthly and trafficked through FDM's ad ops.
A cross-section of the creative produced under the Fu Dog partnership — client launch campaigns, social graphics, and the Meta ad creative running behind FDM's account teams.
